Lesson #1
Empathize with your enemy.
Lesson #2
Rationality will not save us.
Lesson #3
There’s something beyond one’s self.
Lesson #4
Maximize efficiency.
Lesson #5
Proportionality should be a guideline in war.
Lesson #6
Get the data.
Lesson #7
Belief and seeing are both often wrong.
Lesson #8
Be prepared to reexamine your reasoning.
Lesson #9
In order to be good, you may have to engage in evil.
Lesson #10
Never say never.
Lesson #11
You can’t change human nature.
Chemical crayon labels teach kids chemistry while they color
Que Interesante [Etsy via Ian Brooks]
Go, and catch a falling star,
Get with child a mandrake root,
Tell me, where all past years are,
Or who cleft the Devil’s foot,
Teach me to hear mermaids singing,
Or to keep off envy’s stinging,
And find
What wind
Serves to advance an honest mind.
If thou be’est born to strange sights,
Things invisible to see,
Ride ten thousand days and nights,
Till age snow white hairs on thee,
Thou, when thou return’st, wilt tell me
All strange wonders that befell thee,
And swear
Nowhere
Lives a woman true, and fair.
If thou find’st one, let me know,
Such a pilgrimage were sweet,
Yet do not, I would not go,
Though at next door we might meet,
Though she were true when you met her,
And last, till you write your letter,
Yet she
Will be
False, ere I come, to two, or three.
—John Donne, 1572-1631
Chris Fraser creates dazzling light installations by turning a dark enclosed room into variation on a camera obscura. A precursor to the camera, the camera obscura is “a box or room with a hole in one side. Light from an external scene passes through the hole and strikes a surface inside where it is reproduced, upside-down, but with color and perspective preserved.”
Fraser on his project:
My light installations use the ‘camera obscura’ as a point of departure. They are immersive optical environments, idealized spaces with discreet openings. In translating the outside world into moving fields of light and color, the projections make an argument for unfixed notion of sight.